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On the Destruction of a Dogmagraphy

Published on January 27th, 2015

There is no more lofty rise to strap ourselves in photography than onto that immaculate pedestal of photographic Purism like Captain Ahab of the Pequod in pursuit of the white whale. Even if the purist produces the most ordinary images with sophisticated cameras or historic processes, they remain in some idealised boudoir of non-pedestrian love-of-the-art far-and-above the ordinary banal suburban photographer. At least, in their perspective.

The purist, self proclaimed under storm-angst-skies, has the power of that word to billow their path. A get-out-of-gaol-free magic belt worthy of Aladdin. Purist. Smell it. Stretch it out on the table for all the pirates to gawk in rabbled awe. Purist. Wars are lost and won with less advantage. Cut the purist open to see… real blood.

Purist magically infers upon the wearer a state of clean innocent and undefiled beauty. Purist conjures up the image of a Holy Something, the perfection of transcendence; it implies a condescending knowing that “You listen to me, son.” All eyes around the camp fire turn to that One, the all-knowing, the man(or woman)God. Purist. First-born.

You see, I have a large and incredibly hot fire burning in a corner of my consciousness. The Fire of Dogmas Past. In an uncommonly sober state I’ve begun to take all the rules and sins and Magnificent Sevens from their cupboards, to push back the dank piles of this-and-that advice to one side and the other; to unwrite dogmagraphy – that list of things you say are bad or good or whelpishly fucked about my pictures. If I like your pictures. I’ll listen. Otherwise, get fucked.

If I crop. Fuck you. If I place a subject in the middle. Fuck you, also. Fuck you, too. Fuck you and that merry ship of Sinbad that brought you through the door. Fuck you (rings loudly as an echo up and down the lips of this social apostrophe). Stop complaining about what and how I go about making pictures. Stop dictating the morals of the moment on snot-filled photo-stock.

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She moves like no other Lover

Published on January 26th, 2015

My muse. Naked. Clothed. She walks through my camera lens and touches something deep inside my mind. Those small hands e.e. cummings referred to in “somewhere i have never travelled”… “nobody, not even the rain, has such small hands.”

Ilford FP4 PLUS 125 shot on a Nikon F2A Photomic
Ilfotec LC-19 at 1+19 for 10 minutes at 22 Celcius

The Legs of my Lover

Published on January 20th, 2015

Some photographs are about the simplicity of shape and colour. This is a picture of the legs of my lover made on a recent anniversary.

Ilford FP4 PLUS 125 shot on a Nikon F2A Photomic
Rodinal 1+99 for 90 minutes at 18 Celcius

More Articles on StevenClark.com.au

  1. She moves like no other Lover
  2. The Legs of my Lover
  3. Caroline & William Westerway
  4. Erotic Flashback (Book Review)
  5. I may be a dirty rotten Narcissistic Psychopath

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About the Author

Steven Clark Steven Clark - the stand up guy on this site

My name is Steven Clark (aka nortypig) and I live in Southern Tasmania. I have an MBA (Specialisation) and a Bachelor of Computing from the University of Tasmania. I'm a photographer making pictures with film. A web developer for money. A business consultant for fun. A journalist on paper. Dreams of owning the World. Idea champion. Paradox. Life partner to Megan.

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